Australian author Helen Garner has made history by winning the 2025 Baillie Gifford prize for nonfiction with her collection of diaries, 'How to End a Story'. This is a groundbreaking achievement, as it marks the first time a diary collection has received this prestigious award. But what's all the fuss about? And why is this win so significant?
Garner's work has been described as an 'addictive' blend of intimate, intellectual, and everyday experiences, offering a unique perspective on life. Her writing is characterized by a sharp eye for detail and a fearless approach to exploring domestic life, creativity, and morality. Born in Geelong, Australia, Garner's literary journey began with her debut novel, 'Monkey Grip', in 1977, and has since spanned fiction, screenplays, and nonfiction.
'How to End a Story' is a captivating journey through Garner's life, from the bohemian Melbourne of the 1970s to the emotional rollercoaster of the 1980s and 1990s. The judges praised the diaries for their 'devastating honesty' and 'ecstatic attention to detail'. This is a rare glimpse into a writer's life, offering a level of authenticity and insight that has captivated readers and critics alike.
But here's where it gets controversial. The Baillie Gifford prize, often considered the UK's most prestigious nonfiction award, is sponsored by an investment firm facing criticism for its fossil fuel investments and links to Israel. This has sparked debates and boycotts, leading to the termination of partnerships with literary festivals. Last year's winner, Richard Flanagan, even refused the prize money until the sponsor addressed these concerns. Is it ethical to accept awards from such sponsors? Should literary prizes be free from corporate influence?
Despite these controversies, Garner's win is a testament to her exceptional talent. Her next nonfiction work, 'The Mushroom Tapes', co-authored with Chloe Hooper and Sarah Krasnostein, is set to be published in the UK soon. What impact will this win have on Garner's future work? Will it inspire a new generation of diarists?
The Baillie Gifford prize has a rich history, with past winners including Antony Beevor, Jonathan Coe, and Katherine Rundell. This year's judging panel, featuring renowned figures like Millen, Pratinav Anil, and Lucy Hughes-Hallett, selected Garner's work from over 350 books. What makes a diary collection stand out among such a vast array of nonfiction titles?
As we celebrate Garner's achievement, these questions linger, inviting readers to reflect on the intersection of literature, ethics, and corporate influence. Do you think literary awards should be free from corporate sponsorship? How do you think Garner's win will shape the future of diary writing?
